Ops.WebAudio
Creates a texture from an audio FFT array
Extracts FFT or Waveform data from the incoming signal
Holds an audio file / sample
Plays back audio data stored in an AudioBuffer
Plays an audio file, linked to timeline
Different kinds of audio effect / filters
Audio reverb using an impulse response (sample)
ger average value in an area of a fft audio analysis buffer
Generates a texture from audio information
Changes the gain / volume
Generates notes based on key presses
Converts a midi value to a frequency
Connect multiple audio signals to one output
Constructs a tone.js-compliant note (base-tone + octave)
Sends an audio signal to your speakers
Starts the web audio context on iOS / Chrome
Outputs the waveform of an audio file.
Resumes the Web Audio context (unmute on Chrome / iOS)
Ops.WebAudio.Lib.Tonejs.Component
Extracts FFT or Waveform data from the incoming signal
Mixes different audio signals together
Compression reduces the volume of loud sounds
Fades two audio signals (mix)
Three band EQ with control over low, mid, and high
Comb filters are basic building blocks for physical modeling
Multiple audio filters in one
Follows the amplitude of an incoming signal, can be used as a signal
Only passes a signal through when the incoming signal exceeds a specified threshold
Low frequency oscillator, can be connected to an audio parameter
Limits the loudness of an incoming signal
Gets the RMS of an input signal with some averaging applied. It can also get the raw value of the input signal.
Merges two signals into the left and right channels of a single stereo channel
Pans an audio signal between left and right
Positions sounds in 3D space
Left-right panner + volume
Splits a stereo-signal into two mono-signals
Converts a note to a frequency e.g. A4 to 440
Ops.WebAudio.Lib.Tonejs.Component.Envelope
Like an Envelope with an Audio Input
ADSR envelope generator, can be connected to an Audio Port
Like a ScaledEnvelope with frequency
ScaledEnvelop is an envelope which can be scaled to any range
Triggers the Attack-part of an Envelope
Triggers the Attack- and Release-part of an Envelope
Triggers the Release-part of an Envelope
Ops.WebAudio.Lib.Tonejs.Control
Generates patterns from an array of values, with arpeggiation and randomization modes
Represents a Markov Chain
Ops.WebAudio.Lib.Tonejs.Core
Converts decibels [~-96..0] to gain [0..1]
Multiplier, makes a signal bigger or smaller
Ops.WebAudio.Lib.Tonejs.Core.Transport
Schedule an event along the (virtual) audio timeline
Schedule a repeated event along the timeline. The event will fire every interval.
Transport for timing musical events on the (virtual) audio timeline
Ops.WebAudio.Lib.Tonejs
Ops.WebAudio.Lib.Tonejs.Effect
Filter with a Lfo connected to the filter cutoff frequency
Panner with an LFO connected to the pan amount
AutoWah connects a Follower to a bandpass filter (Filter)
Bitcrusher downsamples the incoming signal to a different bitdepth
Effect which is good for making different types of distortion sounds
Convolution is useful for reverb and filter emulation
Delay in which part of output signal is fed back into the delay
Simple Schroeder Reverberator (Reverb)
Feedback delay effect (stereo)
Near-realtime pitch shifting to the incoming signal
Applies a width factor to the mid side seperation
Just like a stereo feedback effect, but the feedback is routed from left to right and right to left
Modulates the amplitude of an incoming signal using a LFO
Vibrato effect composed of a Delay and a LFO
Ops.WebAudio.Lib.Tonejs.Event
Repeating trigger for audio
Arpeggiates between the given notes in a number of patterns
Triggers for every item in the note array
Ops.WebAudio.Lib.Tonejs.Instrument
Uses the output of one Synth to modulate the amplitude of another Synth
Monophonic synth composed of two MonoSynths run in parallel
Composed of two Synths where one Synth modulates the frequency of a second Synth
Makes kick and tom sounds using a single oscillator
Good for making metalophone sounds
Composed of one oscillator, one filter, and two envelopes
Composed of a noise generators, a Filter and two Envelopes
Karplus-String string synthesis. Often out of tune.
Change current note of connected instrument
Triggers the Attack-part of a Synth ADSR
Triggers the Attack-Release-part of a Synth ADSR
Triggers the Release-part of a Synth ADSR
Ops.WebAudio.Lib.Tonejs.Signal
Sum of an audio signal and a number
Calculates a modulo of a audio signal
Multiplies an audio signal and a number
multiplies two audio signals
Subtracts a number from a audio signal
Subtracts one audio signal from another
Ops.WebAudio.Lib.Tonejs.Source
Oscillator with amplitude modulation
Oscillator with frequency modulation
Granular Synthesis, plays back parts of a sample repeatedly
Audio noise generator, supports white, pink and brown noise
Most basic audio sound source
Pulse oscillator with control over pulse width
Modulates the width of a PulseOscillator
Ops.WebAudio.Lib.Tonejs.Type
Position in audio timeline, connect this to the Position-port of a Transport-op
Converts a frequency to a note (440 -> "A4")
Converts a note to a frequency (e.g. C4 to 440)
Makes it convenient to create Tone.js time-strings (e.g. "C4")
Ops.WebAudio.Scale
Outputs a musical scale array (major, minor, ...)
Ops.WebAudio.TextToSpeech
Text-to-Speech, speaks different languages (speech synthesis)