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MidiClock Op

MidiClock

sends out midi clock signals as triggers


This op is able to output a midi clock signal as triggers. It also outputs different musical subdivisions as trigger, ranging from a full note (one bar) to a sixteenth note.

Furthermore you can change the timing of the subdivions to either dotted notes or triplets (e.g. the 1/16 - note becomes a 1/16-note-triplet).

It is also possible to read the current bpm and tick duration from MidiClock.

The subtick output is a counter that goes from 0 - 24 and then resets. In MIDI, a quarter note is represented by 24 clock ticks.


Edit Documentation

Full Name
  • Ops.Devices.Midi.MidiClock
Visibility
  • Core Op - Official cables op
License
  • MIT
AuthorTest Patches


 

Example Patch Midi ops example

This example file demonstrates how to use all the new midi ops.

Open In Editor

Youtube Video Tutorial

INPUT PORTS


MIDI Event In (Object)

Input for the midi clock event, use the clock output of MidiInputDevice2

Timing index (Number:integer )

OUTPUT PORTS


MIDI Event Out (Object)

The out port for the MIDI clock event

Tick Out (Trigger)

Outputs a trigger every tick

Clock Start (Trigger)

Outputs a clock start signal

Clock Stop (Trigger)

Outputs a clock stop signal

Clock Continue (Trigger)

Outputs a clock continue signal

BPM (Number)

read the current bpm as a number

Tick Duration (Number)

tick duration in milliseconds

Sub Tick (Number)

current subtick (value between 0 - 24)

1/1 (Trigger)

outputs a trigger every bar (dotted: 1.5 bars, triplet: full-note triplet)

1/2 (Trigger)

outputs a trigger every half note (dotted: trigger every 3/4, triplet: half-note triplet)

1/4 (Trigger)

outputs a trigger every quarter note (dotted: trigger every 3/8, triplet: quarter-note triplet)

1/8 (Trigger)

outputs a trigger every eigth note (dotted: trigger every 3/16, triplet: eigth-note triplet)

1/16 (Trigger)

outputs a trigger every sixteenth note (dotted: trigger every 3/32, triplet: sixteenth-note triplet)


Patches using MidiClock

  • Examples
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